THE CARR CENTER SUMMER ARTS FILM INTENSIVE WITH GHETTO FILM SCHOOL

NEW THIS YEAR: The Film Intensive is being offered in partnership with Ghetto Film School (GFS), an award winning nonprofit founded in 2000 with programs in NYC and Los Angeles to educate, develop and celebrate the next generation of great American storytellers. Check out: www.ghettofilm.org

It is a customized 2-week filmmaking workshop for young artists that will help develop their artistry through film, as well as foster deeper exposure to careers in the media and creative industries.

Filmmakers will create, produce, shoot and edit short films (2 minutes) based on original scripts developed in the workshop.

The program will close with a public screening of the winning films and a reception honoring all the young artists. No prior experience is necessary.

Registration and interview will be required for acceptance into program

Registration fee is $25

There is a $400 fee for the 2 week Film Intensive.

AGES: 14 – 18 YEARS old

DATES: July 1 – July 14   (no class on July 4th)   

TIMES: Monday – Saturday     8:30 am – 5:00 pm

WHERE: Detroit School of Arts
123 Selden St.
Detroit, Michigan 48201

How to Develop Strong Characters that Draw in Your Audience

An outline for your screenplay is a great way to start, but developing strong characters will engage viewers in the story you’re telling. Would Darth Vader’s iconic “I am your father” reveal have been as impactful if you didn’t care for the characters? They’re the driving force behind any story, and making them interesting starts early in the scripting process. Read More

8 Shooting Challenges that will Help You Grow as a Videographer

Andy Warhol shattered the mold that artists had been using for hundreds of years – the mold that made “art” and for many art critics, the jury is still out on Andy, but there’s one thing that nobody can deny – he shook up the art world. I went to a screening of “Empire” in college and, I’m guessing, like everybody else, stayed until the free wine ran out, talking through the whole thing and then went home, but still, it changed the way I looked at cinema. And that’s a good thing. What do you do when you’re in a creative rut? Here are some ways to push yourself back onto the road. Read More

20 Literary Agents Actively Seeking Writers and Their Writing

Literary agent alerts are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list. Here are 20 literary agents actively seeking writers and their writing.


I love sharing the weekly agent alerts, because these are the agents who are the hungriest for finding new writers and projects to represent. That said, I’m taking a week off the literary agent alerts to share this list of our 20 most recent literary agent alerts all in one post.

Let’s get into this.

Keely Boeving of WordServe Literary

Keely Boeving

What She’s Seeking: Keely represents projects in the both the general and Christian markets. She is actively seeking nonfiction and memoir as well as select adult and MG fiction. She is particularly interested in well-researched nonfiction books in the areas of parenting and family life; health and wellness; the intersection of faith and culture; business (especially books targeting women in the workplace); social justice; and religious studies; as well as projects from diverse and under-represented voices.

For the Christian market, she is seeking books in the areas of Christian Living, spiritual transformation, devotion and worship, and women’s topics including motherhood, relationships and marriage, and calling.

Click here to learn more.

Jevon Bolden of Embolden Media Group

Jevon Bolden

What she is seeking: Jevon is seeking to acquire adult Christian nonfiction in the following categories: Christian living, spiritual growth, personal growth, women’s issues, prayer, faith, select Spirit-filled/charismatic topics, and select topics on race and diversity. Jevon will also consider some devotionals; some children’s books—picture, MG, or YA—Christian or mainstream; and some fiction. Authors must have a well-honed concept and well-established or actively growing platform.

She is not accepting Bible studies or personal testimonies/memoirs at this time.

Click here to learn more.

Joseph Perry of Perry Literary, Inc.

Joseph Perry

Seeking: Joseph is actively acquiring nonfiction and fiction. Within nonfiction, he has a particular interest in music and sports. Specifically, he’s interested in music books about the 1950s, 1960s, and 1970s, as well as sports books about football, basketball, baseball, running, and golf. He is also interested in trade and academic books about film; pop culture; biography; politics; current affairs; law; medicine; journalism; history (in particular 20th Century US history and US legal history); business books (biography, history, technology, and economics); cookbooks; food and wine; parenting; philosophy; photography; psychology; science and technology; and social sciences.

Within fiction, he is acquiring literary fiction, historical fiction, graphic novels, legal thrillers, and picture books. He does not acquire fantasy, science fiction, romance, and middle grade or YA fiction.

Click here to learn more.

Melissa Richeson of the Apokedak Literary Agency

Melissa Richeson

What She’s Seeking: In picture books, Melissa appreciates stories with funny characters or heartfelt themes, ones that make her laugh or cry. Well-done rhymes will always catch her eye, and she finds nonfiction stories about little-known subjects fascinating.

In middle grade, she loves to see magic, humor, and a sense of imagination. A great hook and quick pacing are keys to her heart.

In young adult, she’s typically drawn to contemporary and historical, but fantasy intrigues her sometimes as well. Subtle wit and intelligent wordplay make for a fabulous read, in Melissa’s opinion, but she’s not a fit for horror, paranormal, or graphic violence.

Click here to learn more.

Marlo Berliner of The Jennifer de Chiara Literary Agency

Marlo Berliner

What I’m Seeking: Middle Grade and Young Adult: I am interested in all genres of MG and YA fiction, with particular emphasis on adventure, psychological thriller, suspense, mystery, paranormal, urban fantasy, horror, speculative, and romance. I enjoy magic, magical realism, unusual settings, pirates, dark elements, gothic tone, secrets or secretive characters, treasure hunts, and unreliable narrators. Also, if you can take a story or intellectual property (in TV or books) that is popular with the adult crowd and give me it’s MG or YA version, then I will give it a look because I believe these types of stories may have strong potential for the market. Stories told by #ownvoices, and stories with diverse characters of all kinds, including neuro-diverse and LGBTQIA+ are all welcomed. I am also open to coming-of-age stories set in college that walk the line between upper YA and NA. While I do like contemporary tales, I may not be the best fit for ‘issue’ books where the central conflict revolves primarily around rape/rape-culture, drugs, or illness. I will also consider some select nonfiction projects in MG and YA, particularly if they involve pop-culture or current events.

Adult: I am interested in all genres of Romance, except inspirational, historical and erotic. I am also open to women’s fiction, mystery, thriller, and suspense.

Click here to learn more.


Maureen Moretti of P.S. Literary

Maureen Moretti

Seeking: Maureen is actively acquiring both nonfiction and fiction.

Within nonfiction she is searching for narrative nonfiction, culture, history, biography, LGBTQ+, cookbooks, and lifestyle.

Within fiction she is looking for women’s fiction, thrillers, LGBTQ+, romance, select science fiction, literary fiction and genre-bending unique voices.

Click here to learn more.

Nicole Bezanson of Metamorphosis Literary Agency

Nicole Bezanson

What She’s Seeking: Middle grade and young adult fiction in all forms and genres, new adult / college-aged novels, and adult contemporary, romance, horror, and psychological thrillers. Manuscripts featuring animal appearances are always appreciated, cats and horses in particular, as are stories taking place in Canada or ‘up north’.

Nicole loves to read about small towns, cowboys, social and mental health issues, protagonists with pets, and romantic and mysterious subplots, but is not a great fit for historical fiction, nonfiction, or memoirs at this time. She requests to only be forwarded fantasy novels focusing on mythical creatures – mermaids, unicorns, centaurs, and the like.

Click here to learn more.

Claire Harris of Foundry Literary + Media

Claire Harris

What She’s Seeking: In fiction projects, Claire looks for psychological and commercial thrillers, serial detective stories, works of fiction inspired by actual crimes, mystery, suspense, cozies, anything involving serial killers, and contemporary family dramas. She is a lover of the dark and twisted, and she’s happiest when reading manuscripts with unexpected endings, especially those that stay with you for days. Having grown up in Wisconsin, Claire has a special love of stories set in the Midwest.

For nonfiction, Claire looks for a range of projects, including humor, celebrity memoir, lifestyle guides, pop culture celebrations, and illustrated books for adults. While she is interested in a variety of nonfiction projects, those who have read this bio from the first line will not be surprised to learn that her passion lies in true crime.

Click here to learn more.

Cecilia Lyra of The Rights Factory

Cecilia Lyra

What She’s Seeking: Cecilia is actively seeking literary and commercial adult fiction that feature diverse, layered characters and unexpected plot twists. As a feminist, Cecilia loathes the term women’s fiction — it’s just fiction — but, for the purposes of clarity, that is her favorite genre. Cecilia is also looking for unique and compelling narrative nonfiction and memoirs (think: nonfiction that would be perfect for book clubs). She is particularly passionate about representing under- or misrepresented voices and stories that contribute to a larger cultural conversation.

Do not send a manuscript where the dog dies — Cecilia can’t handle it.

Click here to learn more.

Anne Tibbets of D4EO Literary

Anne Tibbets

What She’s Seeking: Anne represents adult and young adult science fiction and fantasy, thrillers, horror, historical, and mystery.

No middle grade, chapter, or picture books.

No nonfiction, scripts, or self-published works.

Click here to learn more.

Savannah Brooks of The Jennifer de Chiara Literary Agency

Savannah Brooks

What She’s Seeking: Currently, I’m most focused on YA. I’m especially interested in books that bring to light the challenges teens face in their day-to-day (uncertainty about the future, friendship tension, mental health, etc.), but I’d like to read a work where the protagonist actually enjoys high school (or at least doesn’t dread it). I’m always drawn in by a protagonist venturing into a realm where society says they don’t belong (think swapping gender norms), and characters with weird obsessions are a weird obsession of mine—teach me strange new things, and I’m yours. I’m all about magical realism, mythology, and modern retellings, but I’m not the best fit for high fantasy or science fiction. Mostly, I’m invested in representing the diverse world in which we live and would like to see that reflected in a cast of characters. Show me variations in race, sexuality, gender, dis/ability, and ethnicity without that difference being a point of contention, and I’ll be thrilled.

And, of course, I still love a chewy piece of adult contemporary fiction and would like to find more works that center around women and their careers. I recently finished Liane Moriarty’s Nine Perfect Strangers and was just captured by her characters. I’d love a cast equally as meaty.

Click here to learn more.

Ann Tanenbaum of Tanenbaum International Literary Agency

Ann Tanenbaum

What She’s Seeking: Ann is always looking for new authors and artists to represent. For non-fiction, she is currently accepting submissions in the areas of current affairs, cultural criticism, and narrative journalism, as well as some memoirs. Ann also has experience in collaborating with non-profits who wish to promote their message through a serious full-length book project.

For fiction submissions, she is looking for literary fiction, upmarket fiction, and young adult fiction that is off the beaten track.

Click here to learn more.

Amy Stapp of Wolfson Literary Agency

Amy Stapp

What She’s Seeking: Amy is interested in in women’s fiction, mystery, suspense, historical fiction, young adult, and select narrative nonfiction. She is particularly drawn to well-paced prose and smart, multidimensional characters.

Other authors she admires include Megan Abbott, Sarah Addison Allen, and Karen McManus.

Click here to learn more.

Natalie Grazien of Martin Literary & Media Management

Natalie Grazian

What She’s Seeking: Dark psychological thrillers and mysteries, witty rom-coms, historical settings, and bookclub-worthy women’s fiction are right up her alley. For sci-fi and fantasy, she prefers subtle, surreal twists in contemporary stories and feminist retellings of legends and fairy tales. More than anything, she looks for assured prose, a strong sense of place, finely-tuned plots, and smart, distinctive characters who make the unrelatable relatable. If those elements are present, any genre is welcome.

Natalie has a BA in English and Minor in Spanish from Santa Clara University. Upon graduating, she worked as a sales representative for W. W. Norton and interned for two literary agencies: Kimberley Cameron & Associates and Martin Literary Management. For two years, Natalie was the Fiction Editor of The Santa Clara Review, the oldest literary magazine on the West Coast.

Click here to learn more.

Devin Ross of New Leaf Literary & Media

Devin Ross

What She’s Seeking: In adult, Devin is looking for peculiar, eccentric, character-driven, commercial or upmarket fiction that is conceptually unique. She loves all types of science fiction and fantasy, and is drawn to stories with magical realism. In nonfiction she’s looking books about pop science, pop culture, feminism and social justice.

In YA, she’s looking for commercial fiction; coming of age, plot driven books with strong voices and crossover appeal that break the status quo. She is drawn to fantasy, science fiction, and thrillers that suck you in from the very first page.

Click here to learn more.

Alexandra Levick of Writers House

Alexandra Levick

What She’s Seeking: Picture book author-illustrators, a wide range of middle grade and YA, and more speculative-leaning or genre-bent upmarket adult works. I’m committed to working with writers from diverse backgrounds and am looking to put forth an intersectional list of outstanding creators who will be able to provide both windows and mirrors into all kinds of experiences. I’m particularly looking for own-voices stories about historically underrepresented characters and cultures.

No matter the genre or age-range, I crave a distinctive voice and strong thematic meaning behind the work—I want to run screaming to my friends and family about your book because there is so much to discuss. I love character-driven stories that revolve around BIG topics (discussing things like mortality or grief in a new and hopefully somewhat uplifting way is always an instant lightbulb!). One might say that I have a great affinity for what used to be known as ‘issue books,’ however, I would argue that I’d like to represent authors and stories that stand for more than just a good yarn; I’d like to represent authors that provoke conversations around important topics in our world today. And I don’t just want contemporary versions of these stories, either. Send me your fantasy, your sci-fi, your genre-bender!

Please send your horizon-expanding work on over to me. I can’t wait to give it a read.

Click here to learn more.

Jennifer Grimaldi of Chalberg & Sussman

Jennifer Grimaldi

What She’s Seeking: Science fiction and fantasy in both adult and YA, historical fiction, romance and horror. She is particularly intrigued by strong world-building and sense of place, and would love to see a wide variety of diversity in the gender, sexuality, presentation, race, and mental/physical abilities of characters. She also loves stories inspired by true events or myths and fairy tales, and deconstructed tropes. More than any of the above, however, she looks for genre books supported by a strong emotional core. While she is not interested in issue books, she is interested in character studies in trauma, whether that be a mysterious disappearance, extraterrestrial abduction, or emotional abuse.

She is also enormously fond of rakes and scoundrels in all varieties (thieves, pirates, spies), multi-dimensional villains, atmospheric creepiness, and longing glances.

Click here to learn more.

Britt Siess of Martin Literary & Media Management

Britt Siess

What She’s Seeking: On the Adult side, I’m looking for SF/Fantasy novels that feature elaborately built worlds and realistically flawed characters. I’m especially interested in retellings of fairytales or stories that are based on myths and legends by #ownvoices authors. I love a likeable villain, and I’m a sucker for speculative fiction that makes us confront the choices we’ve made. I’d also like to see a bit more horror in my inbox, but think more Gothic than gore.

For Middle Grade submissions, I’m looking for anything magical or spooky. I love witches, fairies, and evil queens (I’m a huge fan of Holly Black). I’m definitely looking for flawed main characters and kids who can learn from their own mistakes.

Click here to learn more.

Sarah Gerton of Curtis Brown, Ltd.

Sarah Gerton

What She’s Seeking: Sarah is looking for fiction and select narrative nonfiction for YA and MG audiences.

While fantasy is her first love, she’s eager to read anything for teens and tweens—from literary to commercial, horror to memoir, as long as it has distinctive writing and unforgettable characters.

Click here to learn more.

Tess Callero of Curtis Brown, Ltd.

Tess Callero

What She’s Seeking: Contemporary YA across genres, but I’m especially looking for a good romance or suspense. I’d love a heartfelt friendship story, or a coming-of-age that makes me ugly cry. I’m also interested in accessible YA fantasy and magical realism. Some recent favorites include One of Us Is Lying, They Both Die at the End, and Dear Martin.

On the adult side, I’m looking for mystery/thriller/suspense, upmarket women’s fiction, and #ownvoices romance, both historical and contemporary. I especially appreciate a smart, young, self-aware female narrator. Think Sweetbitter, The Assistants, or Luckiest Girl Alivein these categories.

For nonfiction, I’m on the hunt for food narrative, cookbooks, pop culture, science, business, history/biography, women’s issues, humor, and true crime. Recent favorites include American Fire, Cork Dork, and Bachelor Nation.

Click here to learn more.

Six Primary Styles of Documentary Production

Webster defines documentary as “a movie or television program that tells the facts about actual people and events.” The conventional thinking about documentaries is that they document reality, represent the objective truth and do not include fictional elements. Certainly, these are some of the qualities we expect from journalistically driven current affairs docs made for TV where the editorial impetus is to strive for factual and balanced presentations. Read More

Make Sure Your Video Production Clients Pay for All of the Time You Spend on Their Projects

If you’re reading this, then you know something about producing and editing video. Maybe you went to film school. Maybe you learned hands-on. Nevertheless, the business side of video production leaves no margin for error for even the seasoned professional, so if you don’t know what you’re doing, then before you consider taking on clients and charging for a service, learn how the pros work — and not just one, but as many as are willing to offer you valuable advice and show you the tricks of the trade. Knowing what to bill or not to bill a client for is crucial. Maximizing profit and minimizing the hours of your time that go unpaid starts in the project’s earliest planning stages. Read More

Take Two: Proper Screenplay Format 101

Whomever declared not to judge a book by its cover clearly wasn’t a screenwriter. The Hollywood script reader passes more judgment than Judge Judy. In a split second, your hard work could be flung in the corner waste can.

Before your screenplay will ever be in a director’s hands, it needs to get past that script reader. When a script looks professional, the reader has confidence you’re not a newbie screenwriter and keeps turning the page. Poor formatting distracts the reader and immediately takes them out of your story. Trust me when I tell you that the script reader holds the keys to the Hollywood gates.

First, the reader checks the page length. With the benchmark of one page being one minute of screen time, your feature shouldn’t exceed 110 to 120 pages. Anything over that gets an immediate red mark. And if the first few pages are sloppy, down to the bottom of the slush pile it goes … or right into the trash. Read More

15 Ways to Write Funnier Fiction

It’s amazing how often you hear aspiring writers say: ‘I can’t write humor. I’m not funny.’ While it’s undoubtedly true that some people come across as naturally funnier than others—though often this may be the product of unseen hard work as much as raw talent—I believe that everyone has the potential to be funny. After all, if you can laugh, you have a sense of humor.

The subject of how to find the funny in your writing is one I think about all the time. I’ve spent the last 25 years writing a variety of comic material designed to tickle people’s funny bones—sketches for BBC radio, humorous columns for magazines and newsletters, short stories, and now a comic novel. I was even Asda Christmas cracker joke-writing champion in 2004, a UK prize that’s roughly the equivalent of a comedy Pulitzer*, so I couldn’t really be more qualified. If you’re interested in getting more humor into your fiction, here are a few things I’ve learned along the way… Read More

Paid Publishing Opportunities for Writers

$50 to $225 for Short Stories Calls for submissions! Deadlines are approaching quickly.

    Keep Reading…    

$50+ for Bloggers 10 blogs and websites that pay freelance writers.

    Keep Reading…    

May 29, 2019
May 28, 2019

$1,000 Short Story Contest: Death From Above Free contest! Open to all U.S. residents, 18 or older.

    Keep Reading…    

$200 for Holiday Stories This is a wonderful opportunity from a world famous publisher.

    Keep Reading…    

May 24, 2019

12 Travel Blogs & Mags that Pay for Personal Essays & NarrativesThese publishers pay for personal essays, travel narratives, and more.

    Keep Reading…    

151 Travel Publishers that Pay Writers A huge list of publishers that pay for travel writing.

    Keep Reading…    

PRH buys 45% stake in Sourcebooks

Sourcebooks has sold a 45% ownership stake to Penguin Random House to enable the American independent publisher to take a “broader and deeper approach to domestic and global markets”. The deal was announced on Thursday (22nd May) in the US by Dominique Raccah, Sourcebooks’ c.e.o. and founder, and Madeline McIntosh, PRH US c.e.o. and “will create a performance- and growth-oriented partnership between the two companies,” said PRH. “Sourcebooks retains its majority ownership of 55%, with no changes in its leadership, management, publishing autonomy, or entrepreneurial culture,” the statement reads. “Penguin Random House now owns 45%, as a collaborative investor in the Illinois-based company.” Terms of the deal were not disclosed. Read More

Pat Barker says she distrusts publishers’ ‘fashionable’ efforts to boost diversity

The Man Booker prize-winning author Pat Barker says she “distrusts” London publishing’s recent burst in diversity initiatives, calling the rise in interest in regional and working-class voices a “fashionable” move motivated by fear after the Brexit referendum. Speaking at the Hay festival on Sunday, the Durham author said she had observed an increased appetite for authors based outside London, or from working-class and minority ethnic backgrounds, over the last three years.

“After the Brexit referendum, there was much more interest in regional voices among London-based publishing houses than there had been before. There was this feeling, I think, that London seemed to have been governing a country, or countries, that it knew absolutely nothing about. Suddenly, there was this rather frightening sense of ‘what has been going on out there? Why did nobody tell us?’,” she said. Read More

South Africa’s Puku Foundation: Children’s Books To Save Languages

Endangered Languages and the ‘Hegemony of English’

Delegates to the ‘Rising Africa’ IPA seminar in Nairobi will hear about the work of Puku, a foundation rushing to generate children’s literature in some of the continent’s dying languages.

There are only four people left alive who speak the N/uu language in South Africa, and they’re members of one family. The matriarch is Ouma Katrina, 86 years old. Her daughter is Lena du Plessis. Her granddaughter is Claudia Snyman. And little N/aungkusi Snyman is Ouma Katrina’s great-granddaughter.

You meet them in a 10-minute video we’re embedding below in this story. And in it, you’ll also hear from Elinor Sisulu, executive director of South Africa’s Puku Children’s Literature Foundation.

Sisulu will speak at the  International Publishers Association‘s (IPA)  “Africa Rising” seminar in Nairobi, hosted by the  Kenya Publishers Association. Read More

What 4 Showrunners Look for When Staffing a Writers Room

As a former comedy agent at UTA and WME, Priyanka Mattoo represented numerous big-name writers and performers before leaving to start a TV production company with Jack Black. Now she writes and directs, but she still encounters a tidal wave of comedy hopefuls looking for the advice, information, and pep talks that only a former agent can provide. In show business, they say that it’s all about who you know. Well, you’re in luck because now you know Priyanka!

I’d like to write for TV someday (soon). I have a couple of samples I’m pretty happy with, and I’m sharing them with everyone I know, hoping to land representation and meet on shows. But what are showrunners looking for (specs? Originals?), and how are they getting submissions right now? Is the diversity push real? What do I do if I’m lucky enough to meet on a show? I realize that’s way more than one question, but basically: How does staffing work? —Andrea B., L.A. Read More